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Mostrando las entradas con la etiqueta trio. Mostrar todas las entradas
Mostrando las entradas con la etiqueta trio. Mostrar todas las entradas

jueves, 13 de agosto de 2026

agosto 13, 2026

1000 ORIGINAL HITS - Varios artistas - 1962

 


001. Little Eva - The loco motion

002. Fats Domino - Jambalaya

003. The Crickets - Don't ever change

004. Ricky Nelson - Young World

005. Dion - The Wanderer

006. Helen Shapiro - Little Miss Lonely

007. Crai Douglas - When my little girl is smiling

008. Adam Faith - As you like it

009. Kenny Lynch - Up on the roof

010. Frank Ifield - I remember you

011. Gene Pitney - 24 hours from tulsa

012. The Shadows - Wonderful Land

013. Adam Faith - Don't that beat all

014. Johnny Tillotson - It keeps right on a-hurtin

015. The Shirelles - Soldier Boy

016. Bryan Hyland - Sealed with a kiss

017. Chris Montez - Let's Dance

018. Del Shannon - Little town flirt

019. Johnny Crawford - Cindy's Birthday

020. The Kingston Trio - Where have all the flowers gone?

021. Gene Pitney - Only love can break a heart

022. Nelson Riddle -  Route 66 theme



miércoles, 25 de febrero de 2026

febrero 25, 2026

Paolo Fresu Quintet - 30 - Italia - 2014

 


Trent'anni di attività sono davvero un bel traguardo e il quintetto di Paolo Fresu condivide questa longevità in Europa forse solo con il trio dell'illustre pianista Alexander von Schlippenbach, che ha doppiato ormai abbondantemente la tappa dei quarant'anni. Il motore del quintetto di Fresu è perfettamente lubrificato, come è apparso anche dal vivo nelle date che precedevano di poco la registrazione di questo disco.


Il lavoro è sobrio e accattivante, curato nei dettagli: forse un tantino levigato, al punto che riflette solo in parte la forza prodotta dal vivo. Ma questa è cosa risaputa da chiunque segua il jazz, in modo particolare quando si mettono in campo personalità abituate a reagire in modo ottimale nel contatto sul palco, con scambi di energia che si traducono in emozione, qualità, intensità espressiva. In studio non è la stessa cosa. Non sempre.


Detto questo, annotiamo che il quintetto mantiene anche dopo tanto tempo freschezza e concentrazione creativa, che le composizioni in questo lavoro sono ben variate nel carattere e distribuite tra i componenti: quattro a nome del leader, due per ogni componente del quartetto e una tratta dal passato remoto di Henry Purcell, così ricco di dramma e poesia e così amato da Fresu (beh, non solo da lui).


Ogni brano porta l'impronta del proprio autore, spesso mettendo in gioco contrasti stimolanti, stilistici ed espressivi: Tino Tracanna si libra tra astrazione e lirismo, Roberto Cipelli porta il discorso sulla ballad e sulla bellezza melodica nel tema sospeso di "Till the End," splendidamente interpretato dal sax tenore di Tracanna. Attilio Zanchi offre ai solisti il modo di esprimersi con pregnanza nel suo "Words of Wisdom." Ettore Fioravanti fa volare alto il pianoforte di Cipelli e il sax soprano di Tracanna sul metro in sette di "Aquile," mentre ci diletta di grazia nel breve volo di "Colibrì."


Da parte sua, Fresu gioca tra il "Chiaro," lo "Scuro," il "Trasparente" e le "Giallefoglie," cogliendo qui l'essenza del proprio fare musica nei colori e nelle sfumature più delicate, nei contrasti cromatici più tenui. Dando qua e là qualche pennellata di effetti elettronici fin troppo ben educati. 


01. Chiaro

02. Till the End

03. Trenta giorni

04. Perspective from the Train

05. Trasparente

06. Aquile

07. Giallefoglie

08. Scuro

09. Gufo

10. When I Am Laid in Heart

11. Go Go B.

12. Words of Wisdom

13. Colibri'

14. The Old Way (Bonus Track)

viernes, 24 de septiembre de 2021

septiembre 24, 2021

Trio Da Kali and Kronos Quartet - Ladilikan

You take a trio of the finest traditional griot musicians from Mali and put them in the studio with a revolutionary Western string quartet - and the outcome is one of the most unusual and rewarding musical collaborations you are ever likely to encounter.

Ladilikan, the new album by Trio da Kali and Kronos Quartet represents a landmark in cultural cross-fertilisation which both parties rank among the most satisfying musical experiences in their diverse careers. David Harrington, who founded the Kronos Quartet in 1973, enthuses that the album is “one of the most beautiful Kronos has done in forty years.” On first hearing their griot grooves being played by two violins, viola and cello, Trio da Kali’s Lassana Diabate announced, “This is going to be the best collaboration of my life.” Da Kali means ‘to give a pledge’ – in this case to a musical heritage that dates back to the time of Sunjata Keita, founder of the great Mali empire in the early 13th century. The line-up of balafon (xylophone) bass ngoni (lute) and female singer is also based on ancient tradition, although the trio format and its repertoire is now an endangered species in contemporary Malian music.

All three Da Kali members come from hereditary musical families, and were brought together as a griot super group by Dr Lucy Duran. Balafon player and musical director Lassana Diabaté was a long-time member of Toumani Diabate’s Symmetric Orchestra and has recorded with Salif Keita, Taj Mahal and many others. A musician of great subtlety and invention he has honed a virtuoso two-balafon technique to perfection. Bass ngoni player Mamadou Kouyaté is the eldest son of the instrument’s greatest exponent, Bassekou Kouyaté and he holds down the groove in his father’s band ‘Ngoni ba’. He is also involved in the thriving Bamako hip-hop scene. Singer Hawa ‘Kassé Mady’ Diabate is the daughter of Mali’s greatest traditional singer, Kassé Mady Diabate, and the power, range and phrasing of her voice led David Harrington to compare her to the late queen of American gospel, Mahalia Jackson.

The Kronos Quartet – David Harrington and John Sherba on violins, Hank Dutt on viola, and cellist Sunny Yang - have built an enviable reputation as the world’s most adventurous string quartet. Known for their commitment to continually re-imagining the string quartet experience Kronos have released over 50 records of extraordinary breadth and creativity and they are no strangers to collaborations with some of the world’s foremost composers and artists. Combining the spirit of fearless exploration with expert craftsmanship and skill, Trio Da Kali’s original repertoire has been taken on a fascinating journey, giving a new voice to timeless sounds.

Tita
Kanimba
Eh Ya Ye
Garaba Mama
God Shall Wipe All Tears Away
Samuel
Lila Bambo
Kene Bo
Ladilikan
Sunjata

domingo, 8 de noviembre de 2020

noviembre 08, 2020

Ishinohana - La Flor De Piedra - 1986 - 2015

El álbum de debut del trío español Ishinohana es un proyecto que reúne a Javier Bergia y sus amigos Luis Delgado y Manuel Illán, estos tres multi-instrumentistas combinan las influencias del rock, la new age y la percusión oriental en un todo cohesivo. Tras el álbum recopilatorio de Javier Bergia, Eclipse, el sello Emotional Rescue regresa a España para el lanzamiento de Ishinohana- La Flor de Piedra, este album fue lanzado en 1986 por el sello El Cometa de Madrid. New Age, Jazz Fusion y las influencias orientales son prominentes, mezclando guitarra clásica española y eléctrica con percusión, influenciados por los sonidos de la India y Japón para una perfección espiritual.

1 La Luna 0:48
2 Ishinohana 5:17
3 El Beso Negro 5:45
4 Delta 7:37
1 Lucia 4:44
2 Satori En Madrid 3:13
3 La Flor De Piedra 2:50
4 Variación 23 4:43
5 Estrellas 5:18

sábado, 15 de agosto de 2020

agosto 15, 2020

Medeski Martin & Wood - Let's Go Everywhere

When John Medeski, Chris Wood and Billy Martin go into the studio to record any new album, they're never sure what will emerge. It was no different when the trio gathered in an upstate New York studio with a few concepts, a few musical ideas and a few friends, to create Let's Go Everywhere, the first recording designed to please their youngest fans.

The group settled on the idea of a journey, of travel both literal and figurative. It proved to be a motivating concept. But we didn't have much going in, says Wood. It was a thread we followed as we improvised, composed and working through each piece on the spot. We call it spontaneous composition. Martin agrees that we really had very little figured out. Maybe a few ideas about a beat or a nursery rhyme we liked, but we went into the studio not knowing what would happen.

Then the fun part began. Wood and Martin enlisted vocals from their children Nissa and Dakota. In the perfect party song, the band gets into a funky groove that stops suddenly, prompting enthusiastic young voices to shout, ''Where's the Music''? and the music to start up again. We got that idea from our kids love of musical chairs, explains Wood. As the party continued, the trio brought in other friends to add to the musical journey, including brother Oliver, John Lurie (Lounge Lizards), and inspired newcomer Tim ''Big Time'' Ingham. From the hard-core Meters-esque celebration Where's The Music to the Latin and Asian-tinged jazz of Hickory Dickory Dock and Far East Sweets, MMW and their friends will have your child moving their bodies, expanding their musical experience and sharing the joy of this very special group of musicians.

1. Waking Up
2. Let's Go Everywhere
3. Cat Creeps
4. The Train Song
5. Where's the Music
6. Pat a Cake
7. Pirates Don't Take Baths
8. Far East Sweets
9. On an Airplane
10. The Squalb
11. Let's Go
12. Old Paint
13. Hickory Dickory Dock
14. All Around the Kitchen
15. We're All Connected



martes, 26 de mayo de 2020

mayo 26, 2020

Chango Farias Gomez - Rompiendo la red - 1996 - Argentina

El Chango Farias Gomez fue un musico y compositor de folklore de reconocida trayectoria, formo parte del grupo vocal Los Huanca Hua durante los años '60, armo luego un trio con Dino Saluzi y Kelo Palacios basado en la improvisacion musical, estuvo exiliado en Francia durante la dictadura y a su regreso se vio inmerso en varios proyectos musicales, en 1985 crea "M.P.A". ( Músicos Populares Argentinos ), junto a los musicos Rubén "Mono" Izarrualde (flauta traversa) ,Verónica Condomí (voz), Peteco Carabajal (violin y voz) y Jacinto Piedra, grupo dejo su huella por aquellos años por la creatividad y la calidad de sus interpretaciones que aportaban desde la fusion con el jazz un nuevo aire al folklore.

Rompiendo la red fue publicado en 1996, en esta ocasion es acompañado por el grupo La Manija, cuenta ademas con la participacion de Insaurralde y la memorable voz de Veronica Condomi, asi como con el violin de Peteco en el tema 9, que lo disfruten.

1) Nacimiento (Chango Farias Gomez)
2) El Pajarito (Anonimo)
3) Imagenes (Chango Farias Gomez / Luis Gurevich / Ruben "mono" Izarrualde)
4) Chacarera Del Triste (Hnos. Simon)
5) Chacarera Santiagueña (Chango Farias Gomez)
6) Rumbas (Anonimo)
7) Nicanor (Chango Farias Gomez / Teresa Parodi)
8) Canto A La Telesita (Rolando Valladares)
9) Entre A Mi Pago Sin Golpear (Carlos Carabajal / P. R. Trullenque)
10) Vidala Para Mi Sombra / Cancion Para Un niño (Julio Espinoza / Miguel Molina)
11) Coro Coronita (Chango Farias Gomez / Ica Novo / Pocha Barros)
12) Los Ejes De Mi Carreta (Hector Roberto Chavero / Risso R.)


domingo, 8 de octubre de 2017

octubre 08, 2017

Meïkhâneh - La Silencieuse

Pour son deuxième album, La Silencieuse, le trio Meïkhâneh, composé de Maria Laurent au chant, Johanni Curtet à la guitare, dombra et chant diphonique, Milad Pasta aux percussions iraniennes, s'est entouré de trois invités : Bijan Chemirani aux luths tzouras, saz et percussions additionnelles, Uuganbaatar Tsend-Ochir (Egschiglen) à la grande vièle cheval mongole ikh khuur et Martin Coudroy à l'accordéon diatonique. Les compositions de Meïkhâneh sont nourries d'imaginaire, d'improvisations, et de musiques traditionnelles d'Europe, de Mongolie et d'Iran. Les voix, lumineuses et envoutantes, portent la puissance des chants d'Europe de l'Est, les mélodies aériennes des grands espaces, et la profondeur des chants diphoniques mongols. On y entend des cordes voyageuses rappelant les steppes d'Asie et l'Andalousie. Les rythmes ciselés des percussions puisent dans la tradition persane. Meïkhâneh nous emmène au cœur d'une musique sans frontières qui caresse l'âme. Son nom emprunté à la poésie persane signifie la « maison de l'ivresse ». On se laisse porter…

Meikhaneh is a group based in France, but their repertoire originates from other world regions.The group incorporates a little Central Asian throat-singing on «Jaran tsagaan aduu.» Maria Laurent's sweet vocals and her stately morin khuur (horse-head fiddle) combines to form a unique blend of vocal and instrumental music. Maria is joined by Johanni Curtet on guitar, dombra, various chants, as well as Milad Pasta on tombak, daf, and udu drum.

1 Silencia  5:27
2 Talyn Thème  7:20
3 Eszmélet 3:52
4 Uulyn Nulims 5:35
5 Khan Khökhii  5:01
6 Pluies  6:43
7 Ayalakhui  4:39
8 L'avion est annulé  4:42
9 Ayari 5:47
10 Gham Makhor  6:23
11 Vinha do Sul  4:08